May 18, 2024

Blowing the dust off the antiques trade

Jack Laver Brister’s Instagram account looks like something from the archives of World of Interiors. Mahogany furniture, chintz and pots of pelargoniums abound. “I’d say my style is quite masculine and English,” says Laver Brister (above), whose home appears in Ros Byam Shaw’s recent book Perfect English Townhouse. “It’s that faded country house look.”

Laver Brister could be described as a “new traditional” dealer and decorator – he’s just completed an interior design project on a Georgian townhouse in London. He scours country auctions and markets for “useful and decorative pieces with originality – things that haven’t been retouched or restored”.

He started dealing five years ago, at the age of 26. “Both sets of grandparents were in the trade,” he explains, “so it’s definitely been passed down from them.” He rents a barn from his parents just outside the town of Somerton in the West Country. “The barn is open casually and by appointment, because I can’t afford a shop,” he says. “Besides, I think I’d go mad sitting in a shop all day waiting for people to come in. I’d find it demoralising.” Instead, his latest stock (which includes a rosewood William IV sofa, a selection of bobbin chairs and a gleaming “whatnot” for displaying small objects) is uploaded to Instagram where his following (31,000 and counting) more than makes up for the lack of footfall in Somerton.

“The past 20 years have been dire for antiques,” Laver Brister says, blaming Ikea and eBay for the steady disappearance of antique shops – that and the fact that a generation of homemakers “didn’t want what their parents had”. Now, thanks in part to the rise of high-profile designers such as Ben Pentreath and Max Rollitt, “traditional furniture is being put back on the map.” @tradchap

Harth

‘People don’t want to see their pieces sitting in storage’: Henrietta Thompson and Ed Padmore of Harth.
Pinterest
 ‘People don’t want to see their pieces sitting in storage’: Henrietta Thompson and Ed Padmore of Harth. Photograph: Sophia Spring for the Observer

Harth is a digital platform that connects lenders with borrowers. It was conceived by Henrietta Thompson, editor-at-large of Wallpaper* magazine, and her husband, Ed Padmore, after they moved house four times in two years. “We had our fair share of changing circumstances, and the frustrations that brings with it,” explains Thompson, 39. “Storage is one of the fastest growing markets at the moment,” she says. “People feel overwhelmed with the stuff they have. This is a better way of dealing with it.”

For more read the full of article at The Guardian

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